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Contents • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Terminology [ ] In professional typography, the term typeface is not interchangeable with the word (originally 'fount' in British English, and pronounced 'font'), because the term font has historically been defined as a given alphabet and its associated characters in a single size. For example, 8-point Caslon Italic was one font, and 10-point Caslon Italic was another. Historically, fonts came in specific sizes determining the size of characters, and in quantities of or number of each letter provided. The design of characters in a font took into account all these factors. As the range of typeface designs increased and requirements of publishers broadened over the centuries, fonts of specific (blackness or lightness) and (most commonly regular or as distinct to, as well as condensed) have led to font families, collections of closely related typeface designs that can include hundreds of styles. A font family is typically a group of related fonts which vary only in weight, orientation,, etc., but not design. For example, is a font family, whereas Times Roman, Times Italic and Times Bold are individual fonts making up the Times family.
Event Program Templates Indesign Trial on this page. Font families typically include several fonts, though some, such as, may consist of dozens of fonts. The distinction between font and typeface is that a font designates a specific member of a type family such as roman,, or, while typeface designates a consistent visual appearance or style which can be a 'family' or related set of fonts.
For example, a given typeface such as may include roman, bold, and italic fonts. Aloe Blacc The Aloe Blacc Ep Rare. In the era, a font also meant a specific point size, but with digital scalable outline fonts this distinction is no longer valid, as a single font may be scaled to any size. The first 'extended' font families, which included a wide range of widths and weights in the same general style emerged in the early 1900s, starting with 's (1902–1913), with an initial design by Bertram Grosvenor Goodhue, and many additional faces designed. Later examples include,,. Some became superfamilies as a result of revival, such as,; while others have alternate styling designed as compatible replacements of each other, such as,. PT Serif (above) and PT Sans (below) from the, showing the similarities in letter structure.