Macbeth Summary. Description ------------------------------------------------------------------------ Email me if you are looking for an album in Lossless/FLAC (even obscure ones). I'd be willing to send you a link to it if you would share the album on publicbt/thepiratebay after you finish downloading it.
Free Download HQ Hip-Hop Music. Home; Catalog. Continue reading “J Dilla – 2006 – Donuts. Audio Codec: FLAC (*.flac). Non- renewable resource. A non- renewable resource (also called a finite resource) is a resource that does not renew itself at a sufficient rate for sustainable.
My email: ------------------------------------------------------------------------ Lossless/FLAC Includes: Log/Cue Donuts was made on a hospital bed and in a home studio, on a stripped-down setup with a stack of vinyl. Released on its maker's 32nd birthday, three days before he passed away, the album has a resonance deeper than anyone could've hoped for or even imagined. Some who were close to Dilla have said that there are hidden messages in the samples, the track titles, and who knows where else. It's impossible not to speculate about some things, like the track titled 'Don't Cry,' the looped 'broken and blue' from a version of 'Walk on By,' the presence of Eddie Kendricks singing 'My people, hold on,' or the fact that there are 31 tracks, a possible signal that Dilla survived a little longer than he expected. Then again, for every possible message, there are two or three elements that could've been designed to throw any analysis off its trail. After all, if there's one single image that the disc brings to mind, it's that of Dilla goofing off, having fun with some of his favorite records, and messing with some heads in the process. (And you could probably make the album's title out to be a metaphor for the circle of life, but sometimes a donut is just a donut.) Armed with sources that are either known to novice sample spotters or only the most seasoned diggers -- surprisingly, the former greatly outweighs the latter -- Dilla's also just as likely to leave his samples barely touched as he is to render them unrecognizable.
